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DANCING IN THE CABBAGE PATCH Harmful Settlement Schools Debate

Pine Mountain Settlement School
Series: Blogs
DANCING IN THE CABBAGE PATCH
Series 09: Biography
Series 17: Publications Related to PMSS

The “Harmful Settlement Schools” Debate

HARRY ROBIE “Resolved: That on Balance the Settlement Schools Were Harmful to the Culture of the Southern Mountains.”

Jane Bishop Hobgood Response to Harry Robie

John Deaton Response to Harry Robie 

Vivian Sexton Flannery-Dees Response to Harry Robie


TAGS: Jane Bishop Hobgood; Harry Robie;  John H. Deaton; Vivian Sexton Flannery-Dees; Pine Mountain Settlement School; settlement schools; Settlement Movement; Settlement Schools Southern Appalachians; rural education; Hindman Settlement; Red Bird Mission; Sidney Saylor Farr; Stuart Robinson; Glyn Morris; progressive education; Alonzo Turner; Katherine Pettit; Martha Burns; Arthur Dodd; ballads; environmentalism; Burton Rogers; Ann Cobb; cultural pluralism;


In 1991, Harry Robie, faculty in the English Department at Berea College (1985-1992), wrote an article about his research related to the settlement schools in the Southern Appalachians. [Published :  Robie, Harry. “Resolved: That on Balance the Settlement Schools Were Harmful to the Culture of the Southern Mountains.”  [Appalachian Heritage 19.1 (1991): 6-10.] This article was followed by a second article in which the Settlement Schools responded to the Robie thesis.

The two opposing articles created mixed responses among scholars but settlement school students waged a much more personal rebuttal. Their immediate angry and palpable emotional rebuttals constitute one of the most persuasive of the counter-arguments to the Robie “harmful culture” thesis. 

The articles created mixed responses among scholars as it was evident that Robie had purposefully started a firestorm to try to drive home what he identified as a fragile romanticism associated with the rural settlement movement. But, the settlement schools and their students, particularly Red Bird Mission, Pine Mountain and to a degree, Hindman Settlement, pushed back against the Robie thesis.

Many of the administrators, teachers and particularly the former students of the settlement institutions responded swiftly to what Robie identified as the “harmful culture” thesis. Overwhelmingly, the response to Robie was oppositional. Robie was pleased.  Most of the respondents declared their experiences were not as described by Robie in his articles. The resistance to the idea that the settlement school education was “harmful to the culture” of the southern Appalachians was particularly fierce from the Pine Mountain Settlement School students and staff. 

“Me and kids.” Birdena Bishop and Jane and Jim Bishop. [bishop_06_005.jpg]

Three students, Jane Bishop HobgoodJohn H. Deaton, [Pine Mountain] and Vivian Sexton Flannery-Dees [Hindman], were all educated within Robie’s perceived “harmful” environments. And, as they read and reread Robie’s thesis, they refused to position themselves within the framework that Robie described as  “culturally harmful.”  For them, the settlement school was a way of life that was enriching, nurturing and well-integrated with the Appalachian cultural elements they had experienced growing up and that had been emphasized at the settlement schools. Finding harmful elements in the sea of opportunities offered by the settlement schools was for the three students, an alien idea.

The clash of the former student perceptions with those of Harry Robie, was explosive with its language of  anger and rebuttal, but it was also tempered with a nostalgic sadness and reflection on a culture that was slowly slipping away.

They nudged many to query, “Whose culture was it, anyway?” The cultural appropriation and/or clash that was described as a debate was not unique to just this southern Appalachian educational instance. While the argument resonated deeply with the students who had been schooled at Pine Mountain Settlement and Hindman Settlement in particular,  it also touched the nerve of the other cultural appropriation debates that were taking place in the 1990’s.  Appropriation, if it can be called that, is a human response to natural hazards that threaten a perceived way of life. This appropriation was and is not new, and today perceived human hazards, or appropriations, and strong diverse human responses continue at an even more rapid pace in the charged environment of Presidential election and other political elections.
Fueled by new social media and technological innovation, appropriation comes at us with a ferocity not just from our rapidly changing local environments, but from all corners of a changing world. Cultural isolation is near impossible for the “wired” and technological savy twenty-first century and is primed to become even more disruptive.

The idea of “Cultural studies” was a late-comer to the long tale and tail of the academic community. In England, for example, the work of Richard Hoggart and Raymond Williams, both of whom had working class origins, began to attract attention in the late nineteen-fifties and early nineteen sixties with their exploration of cultural studies. The authors moved away from the traditional educational cannon believing that the new popular culture and the growing mass communication technologies were changing the relationship of the masses to power and authority and also to one another. They founded the Center for Contemporary Cultural Studies, which in the nineteen-seventies was directed by Stuart Hall, a Jamaican who has been characterized by some as the “God-Father” of multiculturalism. Stuart Hall was a disrupter, and one much more radical and far-reaching than Glyn Morris, the Director at Pine Mountain [1931-1941], who was arguably the most far-reaching Director of Pine Mountain Settlement. Yet, Hall was not as radical or as far-reaching as the current disruptive dialogs found within and without the two current Trump administrations. 

Hall was someone who, like Morris, was more interested in “being alive during disruptive times,” than in doing battle or taking sides in a power struggle. This appears to have been the same approach taken by Harry Robie. The multi-cultural Stuart Hall saw the social changes surrounding him as a newly forming culture trying to “grasp at these changes, to wrap one’s head around what is newly possible….”

Like Morris and other leaders who passed through the Pine Mountain Settlement School, leadership, Hall’s writing in 1973  considered the idea of “culture” as a “site for ‘negotiation,'” [Hua Hsu, “Stuart Hall and the Rise of Cultural Studies,” New Yorker, July 17, 2017]. Like his predecessors,  Hoggart, and especially Raymond Williams, Stuart Hall spoke to similar cultural longing that one senses in the passionate letters of  Jane Bishop Hobgood, John Deaton, and Vivian Sexton Flannery-Dees, settlement school students writing in the early 1980s. Hall in many ways captured the essence of the arguements that are at the heart of the Robie challenge.

Jane Bishop Hobgood in her response did not create a threnody, (described as a wailing ode or hymn of mourning composed as a memorial to an idea), but certainly the analogy of the mountain ballad is suggested.  Jane Bishop Hobgood did not seem to believe that the “culture” she experienced was dying nor dead nor even harmed, but she saw it as under attack, though much of that culture had borrowed extensively across the centuries. She responded with an informed exploration of what she believed was a powerful and driving life experience  during her educational years at the Pine Mountain Settlement School. Her’s was an experience she believed to be shared with the other respondents giving her argument the strength of a supported conviction that lingers even now in the descendents of the trio — Hobgood, Deaton and Flannery-Dees.

For most of the students who experienced Pine Mountain Settlement School, it would be near impossible to distance themselves from their lif-changing experience or to be introspective without emotion as the experience with the school was often so integral to the shape of their later lives. The response of many students to Robie was often not captured in writing, but, like Jane’s, John’s, and Virginia’s responses, other settlement school students were known to speak out strongly in oposition to many of his views with an equal amount of sincerity and anger. How could Harry Robie presume to declare that settlement schools harmed the Appalachian culture? He had not experienced the schools as a student? He did not grow up in hard-scrabble Appalachia. How could any student who experienced the hard scrabble of Appalachian life and then the  settlement school be anything but deeply reflective and reflexive? Jane and John and Virginia refused to accept Robie’s view of settlement work. But, the question still remains. Did they really speak for all who attended the institutions?

A TURBULENT TIME

1937 was a difficult and turbulent time for Pine Mountain Settlement and for Glyn Morris, the Director of the PMSS School. Along with staff, he initiated a questionnaire to be sent to students who had attended Pine Mountain during its first three decades. Compiled by Everett K. Wilson, a teacher and counselor schooled at Antioch College in Ohio, and eventually an internationally recognized sociologist, Wilson’s questionnaire pried loose some of the answers that the School was searching for. One student,  a member of the local Tolliver family, responded curtly to the survey.  Tolliver’s response and other similar responses, suggests that memories do not always form one voice or reflect one reality.  Tolliver wrote back to Wilson that the heart of the issue at Pine Mountain was that the School “hired too many old maids.” This was an early shot at what has become the greater gender debates we continue to engage in the twenty-first century.

[…instead of old maids…? [look up the exact quote, hw]

In light of other student responses,  Jane Bishop Hobgood’s heartfelt ballad to Pine Mountain is not a piece of cynical fatalism, but a word-song that pays tribute to an institution that allowed its students to explore what it might mean to recreate self in a safe and supportive environment. She points out that while many of the “cultural tools” used at the School were English and European in origin, they were not narrowly defining. They played to the strengths of the shared familial heritages of the area and tugged at much of the familiar and pervasive regional ethos.  The education of students like herself was elevated by the specialness of their perceived common heritages. This is something that some scholars have called an “internal colony, ” and can be associated with many institutions.

In her heartfelt response to Robie, Jane details how the settlement workers did not lock the students into the same rigid social trajectories that culture sometimes imposes on peoples throughout the world. She underscores the benign and positive influences of a multicultural education and gives no hint of cultural omission or domination or suppression in describing her settlement school experience.

Today, the massive migrations of peoples across the face of the earth have left trails of angst and scars from cultural clashes that dwarf the Appalachian experiences.  As migrations and immigration increases so does the call to look more closely at the role of education in building emotional and educational bridges to future success.  There has never been a unified viewpoint to regional or cultural studies and the trail of anger and misunderstanding stirred up by perceptions and solemn pronouncements was in the 1940s (the war years) long and emotional. Today the toxic trail of anger and misunderstanding is longer, louder and more damaging than the perceived assault on a way of life experinced at the settlement schools during war-time. The forced boarding schools for Native Americans, the lack of schools in immigration camps, and the current generations who will never have the support system to even think about an “education”,  is difficult to even imagine. 

When a way of life is threatened or demeaned it can evoke and stoke strong emotions in the identified self. When Robie made his pronouncement that the settlement schools were agents of “harm” it was perceived as a threat to a way of life and a rebuke to the school’s efforts and that of the teachers and their students. Robie’s “harm” appeared to negate the perceived inherent cultural gifts and well-intentioned exchanges. Robie, accordingto some,  generated one of the most valuable debates in the history of rural settlement schools. The kernels of wisdom and perception found in the student responses paints a vibrant multicultural canvas of how education can shift cultural perceptions and sometimes, destiny. 

On February 15, 1917 Cecil Sharp the noted English ballad collector, in an address to the prestigious Pen & Plate Club gathered in Asheville, North Carolina, said of his visit to Appalachia and his experience with the  “… mountaineers of this section [Appalachia]  …

I was deeply impressed with the native courtesy and chivalry or the Mountaineers. Their culture is hereditary, I found no such thing as ‘arrested development’; rather I should say I found arrested degeneration.

While this may seem at first to be a somewhat back-handed compliment, what Sharp was alluding to was his profound racist belief in the superiority of the  “Anglo-Saxon” stock. But he was also commenting on the cultural and social deterioration of cultures not supported by their host countries. The British and sometimes brutish arrogance of culture bashing is not full-blown here, but suggests a trope that shows up on many assessments of the Appalachian region: Did imported cultures help or harm the people of Appalachia? 

The many perceived threats, cultral, racial, social, educational, etc.,  perceived in Robie’s pronouncement were personal to Jane Bishop and to many of her fellow students, and as an affront to the “perpetrators”, the settlement schools themselves. The three students  described experiences that screamed at the limited framing Robie tried to give to a collective historical and cultural and personal experience.

The resulting contestations and perceptions of the three students and the settlement schools as institutions reflect how individuals and institutions and the shared experience can yet  transcend the pervasive stereotypes of identified cultures. The “harms” were not a part of the student’s shared perspectives and attitudes and the declared sense of place the schools shared with one another and with the students and the students with each other, but,  continues to be a tight cultural bond. In fact, in the minds of some, Robie was waging a battle for Eden — a non-reality — a constructed paradise that would not face knowledge.  Whether the “harm” was to a utopian perception or to Robie’s own lost culture, or a smoke-screen for debate, is difficult to untangle. But, the cultural discussion came at a time when “cultural pluralism” was being discussed in academe and when held-fast ideas were being pulled apart in lively debates. The right of each side to hold close their perception of “authentic” culture and the belief that the authentic culture has its own unique vision with its own scale of values,  is understood by many Appalachian scholars to be an almost sacred right.

But, did Robie actually believe what he wrote or was he “baiting” an audience that he saw as endangered by culture changes?  Was he aiming to “save the culture.”  Culture is in constant flux and changes as rapidly as do visions and values.  People are at once both subject and object in the fast moving stream of culture. The act of sharing is a political act and political acts are rarely balanced in the resulting sea of cultural pluralism. And, these seas are themselves often fragile seas that flow together with unpredictable tides of intolerance and anger against the dominant system — or, even the entire ecosystem. We have no difficulty in finding examples in today’s culture. 

Sensing, perhaps, the brewing controversy surrounding cultural pluralism, Sidney Saylor Farr, then editor of Appalachian Heritage, called for responses to the Robie article in the journal. She did not have to wait long. The anticipated push-back came in the three essays from former settlement school students. Sidney Saylor Farr, herself an Eastern Kentuckian and a former student at Red Bird Mission School published the settlement school student rebuttals in issue #3 of the same Appalachia Heritage volume, “Those Settlement Schools: Harmful or Benign? Three Responses to Harry Robie,” in Appalachian Heritage 19.3 (1991): 45-52. The publication launched a broader round of debate, discourse, applause, and anger.

PUSH BACK  –  The Responses 

Of the three contrarian student responses, Pine Mountain Settlement School’s  Jane Bishop Hobgood‘s refutation stands out as one of the most articulate, deeply felt and vivid voices against Robie’s “harmful culture” thesis. Her role on the Pine Mountain Settlement School Advisory Council was particularly important as her settlement school perspective was both internal and external and extended over years and across related institutions (Hindman, Berea College and Warren Wilson College). She had been an integral part of tracking the progress of the School through her many years of association as a student, as a daughter of a Pine Mountain Settlement School worker [Birdena Bishop], as a Berea College graduate, and as a member of the Pine Mountain Settlement School Advisory Board.  Her response, which she sent to Pine Mountain as well as to Appalachian Heritage magazine, was placed in the archive at Pine Mountain Settlement School and is reproduced and transcribed in full, in Jane Bishop Hobgood’s Response to Harry Robie.

Jane Bishop Hobgood’s response was soon accompanied by that of John H. Deaton, also a Pine Mountain Settlement School graduate and by that of Vivian S. Flannery-Dees a graduate of Hindman Settlement School.  

The fires of the debate surrounding Robie’s cultural survey and the “harmful” settlement schools thesis still smolders but has been eclipsed by the current and growing national cultural debates that have unleashed current angers much less reasoned than that of Jane Bishop Hobgood and the other settlement school students. Further, the increasing tensions surrounding our current national identity is proving to be an extensive firestorm of debate and one that threatens the very constitutional fabric of the United States, not just the culture of the Appalachian region.

Cultural brawls today have erupted on a multitude of national and cultural borders,  within our systems of worship, in our democratic institutions and in the major media channels and social media. Throughout the centuries in our multi-cultural nation “Cultural pluralism” has had a host of critics and many of those critics have now taken up a chant against cultural pluralism or for their own new —“ism —the “tribalism” of many names — their chosen identity.  The language of criticism has evolved and new words have crept in, but the debates sound familiar. Today our cultural debate is rending the fabric of society at all levels and in all regions. It has spilled into all corners of our educational systems, work-place, communication networks, social networks, or, more noticeably the communication networks have spilled into all corners of our lives with their fractured and factionalized and frequently fictionalized debates.

Debates such as that surrounding the harmful influence of settlement schools have escaped the boundaries once imposed by historical anthropology and have become the essence of life and death struggles of economic classes, political zealots, and wanana-be dictators, in many areas of the world. The Jane Bishop Hobgood Response to Harry Robie has served to remind us again of the fragility of this “Crooked Timber of Humanity” as Isaiah Berlin called it. He was paraphrasing Emanuel Kant who first said, “Out of timber so crooked as that from which man is made nothing entirely straight can be built.”

Today’s culture wars are still being waged in the academic sector, the federal government, the press and in the publication of culturally contentious works such as J.D. Vance’s book, Hillbilly Elegy (2016), Nancy Isenberg’s White Trash (2016), and other much-debated monographs, such as Elizabeth Catte’s What You Are Getting Wrong About Appalachia, (2018) and the thoughtful work of Stephen Stoll in  Ramp Hollow: The Ordeal of Appalachia ( 2017).
                               
Cultural opposition proliferates in electronic blogs and other social media. “Regionalism,” whatever that is or was, has given way to what many describe as fractals that spin away from the Appalachian experience with a furiousity heightened by AI and other forms of collective information. Labels such as “regional colonialism” and “internal colony” and  labels such as “tribalism,” whatever that is or was, …  abound.

Today other imagined geographies and borders and their collective perceptions continue to proliferate. The arguments are now reshaping our political and judicial maps and in the process, we are creating new cultural landscapes that few seem to feel quite fit their personal inderstanding of “their” space. Gerrymandering, gentrification and “mediated media were, in the past viewed as inevitable harbingers of cultural shifts that ususally prompted defensive political responses. Today the knee-jerk reaction is more frequently the offensive weapons designed in the eras of Postmodernism and its spin-offs, the cultural war of “other”. What is ‘pure Anglo-Saxon” stock? What happens when a newscaster in New York refers to the “indigenous” people of South Carolina who hide behind their “culture”? Who are these “indigenous people”? What is this uniform culture the newscaster believes exists in South Carolina?  In Louisiana? Appalachia? What was once a culture is now tangled in the political thickets of economic class, race relations, immigration, and ethnic and religious preference. What perception is to be understood as THE culture of a region? Of a people? The artist Blake has warned us

Robin Red-Breast in a cage
Puts all of Heaven in a rage

Harry Robie retired from Berea in 1992 and died in the small college town of Berea in 2009 at age 75. His passing was marked by the many sympathies and tributes received from his former students at Southwestern High School in Jamestown, NY, where he taught for many years and at Berea College where his students still cite his subtle journeys into our inner psyche. He was a man who stimulated ideas. He shook the tree of complacency and set many to thinking about their fragile relationship to their “culture,” and to their commonly held ideas and beliefs.

Jane Bishop Hobgood continued to live in Urbana, IL and slowly reduced her longer visits to the School as she struggled with dementia. On Jane’s last visit to Pine Mountain, this editor, also educated at Pine Mountain Settlement School, promised Jane that her vision and that of others who believe in the value of settlement schools to help shape the future of the Appalachian region, would not be silenced nor distracted by criticism. Nor would they be seduced or distracted by cultural wars such as that waged in the late eighties and nineties, and today by our political divides. An informed debate, a sense of place, passionate beliefs and clear thinking all have a place in our race toward prosperity and peace — those values were taught at Pine Mountain — and they continue. As Uncle William Creech said in a letter written in 1915, now commonly referred to as “An Old Man’s Hopes for the Children of the Kentucky Mountains,” Creech  captures a universal dream for the people of the world. The land he deeded to found Pine Mountain Settlement School over one-hundred years ago, was to be used to pave the way for education, the door to opportunity.

“I don’t look after wealth for them. I look after the prosperity of our nation. I want all our young uns taught to serve the livin’ God. Of course, they won’t all do that but they can have good and evil laid before them and they can choose which they will. I have heart and cravin’ that our people may grow better. I have deeded my land to the Pine Mountain Settlement School to be used for school purposes as long as the Constitution of the United States stands. Hopin’ it may make a bright and intelligent people after I’m dead and gone.” 

Pine Mountian has over 100 years of success in strengthening not just Appalachian culture (if viewed as a single entity) — or THE culture, but ALL cultures. Uncle William also said that he hoped that the settlement school would serve not just the local populations but would also influence “the people here and across the seas.”

The Pine Mountain Settlement School realized early on that culture today, has few boundaries and borders. Pine Mountain and other settlement schools had much to offer in the past and a deep dive into the missions of these institutions now reveals that they have even more to offer in today’s fragmented world. Pine Mountain is a school where access to a folk culture that educates and uplifts will continue to be promoted as an integral part of both the legacy and the future of the School.  Rural settlement schools have always had a deep commitment to place, to the land and to the people of the Southern Appalachians. They are deeply committed to environmentalism and the responsible stewardship of land and resources including people. Those who experienced the rich education of the settlement school will always be mindful of the “world beyond the seas’ —- just as Uncle Henry would have wanted it and the settlement school experience will continue to be there as mountain doorways open every day to new ways to meet life’s challenges.


BIBLIOGRAPHY

Robie, Harry. “Resolved: That on Balance the Settlement Schools Were Harmful to the Culture of the Southern Mountains. “ Appalachian Heritage 19.1 (1991): 6 – 10.]

Deaton, John H, Vivian S. Flannery-Dees, and Jane B. Hobgood. “Those Settlement Schools: Harmful or Benign? Three Responses to Harry Robie.” Appalachian Heritage. 19.3 (1991): 45-52. Print.

Cobb, Ann. Kinfolks & Other Selected Poems. Hindman, Ky: Hindman Settlement School, 2003. Print.

Hobgood, Jane B. “Walter Crane.” Children’s Literature Association Quarterly. 6.4 (1981): 30-32. Print.

Isenberg, Nancy. White Trash: The 400-Year Untold History of Class in America: with a New Preface. New York, N.Y: Penguin, 2017. Print.

Morris, Glyn. Less Travelled Roads. New York: Vantage Press, 1977. Print.  Chapter 11, Part 1  

Ritchie, Jean. (1955). Singing Family of the Cumberlands. Illustrated by Maurice Sendak. [Reminiscences.]. Pp. vi. 282. Oxford University Press: New York.

Vance, J D. Hillbilly Elegy. , 2016. Print.

Wells, Evelyn K. The Ballad Tree: A Study of British and American Ballads, Their Folklore, Verse, and Music, Together with Sixty Traditional Ballads and Their Tunes. London: Methuen, 1950. Print.  Chapter 13

Whisnant, David E. All That Is Native & Fine: The Politics of Culture in an American Region. Chapel Hill: University of North Carolina Press, 2009. Print.

SEE ALSO:

JANE BISHOP HOBGOOD

JOHN H. DEATON

JOHN H. DEATON Unlicensed Dreamers

BIRDENA BISHOP

GLYN MORRIS Is There Any Further Need for a School Like Pine Mountain?

HINDMAN SETTLEMENT SCHOOL

DANCING Weaving, Natural Talents, and Natural Dyes – Becky Mae Huff

Pine Mountain Settlement School
DANCING IN THE CABBAGE FIELDS
Weaving and Natural Dyes and Natural Talents – Becky Huff

DANCING IN THE CABBAGE FIELDS
Weaving, Natural Talents, and Natural Dyes – Becky Huff

Exhibit of weaving and woven craft. [norton_021.jpg]

Weaving may look very easy. Back and forth, back and forth, and voila! a lovely “runner” for the chest of drawers. But neither life nor weaving is that simple. The most exquisite weavings come from those weavers with natural talents, diligence, and a strong sense of self-worth. Becky Huff was one of those weavers of both cloth and life. She was one of the first children to attend Pine Mountain Settlement School c. 1914.

By 1930, shortly before Katherine Pettit’s retirement, she {Pettit} tried to recruit Becky back to Pine Mountain as one of Pine Mountain’s most talented weavers.  She had been trained by Pettit and others and was an expert weaver, dancer, and institutional historian. Pettit wanted her to come back to the school and mainly resurrect the weaving program but there were other assignments. The letter, a full pleading page from Katherine Pettit, lays out the generous terms of employment if “Beckie” [Becky] would return to Pine Mountain to develop a weaving program, teach a few dance classes, and possibly perform several other tasks as required, she would be housed, salaried, and back among friends.

It is uncertain where the plea originated, but clearly it points to Katherine Pettit trying at the end of her life to bring back the craft on which she founded the School headed by one of her favorite students. But it was also more than that. Becky had been there with her as a child in her first years at the School in 1914 and forward.  Becky, while remembering those Pine Mountain first years to her family noted that as a child she was charged with bringing Pettit her breakfast each morning. Pettit and many others also remember Becky as the sister of Almon Huff. Almon was one of the students killed when the new School House caught fire and burned to the ground, killing Almon,  three other students, and one teacher. Miss Pettit and Becky shared many memories.

Pettit’s letter was written as she was preparing for retirement and her final days with the School. Pettit continued to center weaving at the height of the Depression — at the center of a  era unlikely to want to spend precious dollars on craft.  Her actions are difficult to asses — to explain her belief in a market that could balance the full throttle of Depression with craft sales and a School charging ahead into a new educational mode that did not place craft on the front line. In some ways Pettit’s plea captures the tension, desperation, and confusion of the 1930s across the country.— The Great Depression is still bearing down on the country following the 1929 crash, unemployment is rising and unstable, the Smoot-Hawley Tariff passes, the Dust Bowl is ravaging the agricultural centers of the country, and poverty is everywhere, and Pettit wants to teach weaving.

The country was desperately searching for solutions as Americans desperately searched for work.  The new discovery of the planet  Pluto diverts attention for a brief time as the newly abandoned populace looks to the planet and wishes they could escape there. But there are no easy answers. Somehow, this all sounds all too familiar.

The Smoot-Hawley Tarriff initiated during the early years of the Depression — the economic down-turn was a disaster.  It raised import duties on over 20,000 goods by roughly 20% to 50–100% in some cases. While it aimed to protect agriculture, the farmers of America and related industries tanked, and the Great Depression ravaged the country as so well described by Steinbeck in The Grapes of Wrath.  As a result of Smoot-Hawley the  country’s trade partners retaliated, and the trade battles caused a 66%  decline in world trade for nearly five years and the retaliatory tarriff on the USA — on Harlan County and its coal. The tariffs set off the Great Depression, and in an area that could little afford further declines in its near-poverty living standards.

Did Katherine Pettit win Becky back to Pine Mountain? Was this the end of the weaving program? Read on. See BECKY MAY HUFF Student Staff

THE LETTER    (Katherine Pettit to Beckie Huff)
April 2, 1930

My dear Beckie [Becky].

I have been wondering what you’re going to do about your job next winter? Miss Gaines  [RUTH B. GAINES] says that you are expecting  to come here. Although I have not received any word in reply to my last letter. Asking you definitely about it. Now, won’t you tell me very definitely? if you would like to come to take charge of the [weaving] department. Although I will not be here. Miss Gaines will be here to carry the ideals and standards that we have set. I should like to know if you are interested in our plans for this department and if you will help me to carry them out. Will you fill out the enclosed questionnaire that I may have it for our files as we require it of all our workers.

Did you know that, Mrs. Wilmer Stone is just getting published her [Katherinde Pettit book ] book on vegetable dyes. I saw an exhibition of her weaving. In Knoxville last week, where there were many very beautiful things, and hers was the most beautiful. Again, she told me if you could  do so next year, she would be so glad to have you come to North Carolina and teach you all she knows about vegetable dyes as many people think she is wonderful at that.  It seems to me it would be a great chance for you. Miss Ruth B. Gaines thought that you would also be interested in helping out with the country dancing, gymnastics, and singing games. Mrs. [John C.] Campbell, and Miss Butler have offered to take any people who worked in the mountains there for 10 days and let them have special instructions from their [John C. Campbell’s] Danish gymn teacher, and if you go to Miss Stone in Saluda, NC. would you not like to go to Mrs. Campbell’s [John C. Campbell Folk School] while you are there, for those special lessons?

We have a chance to get a wonderful weaving teacher — 35 years old. She would like to have a permanent job, and if you know positively you do not want to take this job, we shall certainly take her, for we are so anxious to get it [weaving] on a permanent basis. Run year by year by the same person. Now, Beckie May, if you are likely to get married within a year or so, as most young girls do, we want to tell us very frankly so that we may know how to plan for the future of this department. Miss Gaines is so eager to have you come and I think you could have an awful good time living at Laurel House with her and Emily.

Saturday is Aunt Sal’s Day, and all her family and friends are coming here for dinner with us in her little cabin and to see her great-granddaughter weave on her loom the same kind of a blanket that her great-grandmother taught her. Now I wish you could be here for such an interesting occasion.

Woman weaving at “Old Loom.” [nace_II_album_020.jpg]

Now tell me about yourself and what you had been up to all this time and if you really think this is what you want to do next year? Are you coming to see us as soon as school is out …
p.2
… and will you be here for our Mayday and pageant of olden days? Miss Bolles is coming soon, and I wish you could be here all the Spring with us as we dance.

Yours sincerely.

Miss Becky May Huff
Methodist School
Olive Hill, KY
KP/B


1930 saw the initiation of  the  high-school boarding program just one year before the arrival of Glyn Morris and his Progressive Educational agenda that set a new course for the School from 1932- 1940 and just two years following the death of Ethel de Long Zande on 1928 from cancer.

Pettit’s letter captures the void left by Ethel de Long’s death and the uncertainty of the world between the Wars, the Coal Wars raging on the other side of the mountain, and the slowly healing Great Depression. It was one of the most fragile times at the School as it struggled to find its educational direction.

 

 

Becky Huff

DANCING IN THE CABBAGE PATCH Weaving at PMSS 1930s-1940s

Pine Mountain Settlement School
DANCING IN THE CABBAGE PATCH
Weaving at PMSS 1930s-1940s
Series: BY TOPIC – Arts & Crafts
Weaving

DANCING IN THE CABBAGE PATCH Weaving at PMSS 1930s-1940s

MARGARET MOTTER AND THE COLONIAL COVERLET GUILD

Margaret Motter was a worker at Pine Mountain Settlement School in the 1920s and 30s and again in the 1940s. She served as Principal and teacher from 1928 until 1938, and as the Publicity Representative and Head of the English Department from 1946 until 1949.  She was a prolific writer and a clever and persuasive speaker.  Associated with those skills, was her importance to the School as a fund-raiser.  Many times she was asked to represent the Pine Mountain Settlement and to travel to distant cities to speak to special audiences that might find the programs at Pine Mountain worthy of support. Many times she managed to bring her favorite subject into the talk. In one instance she found the perfect audience for her interests and for those of Pine Mountain the Colonial Coverlet Guild of Chicago, Illinois.

Weaving had long been one of Miss Motter’s favorite crafts and she found many ways to integrate comments on the weaving program at Pine Mountain into her public speaking tours.  When she shared her interests with the Colonial Coverlet Guild* in  Chicago, Illinois, where she spoke on November 10, 1948, it was clear that her enthusiasm captured her audience. Miss Motter enjoyed this talk and so did her audience.

To accompany the talk to some 80 members of the Guild, she brought along many of the coverlets and weaving samples from Pine Mountain.  She described the origins of the patterns, dyes, and some of the stories that came along with the individual pieces. She was able to build a picture of the community of mountain weavers. She described how for many years weaving was a household necessity for mountain families and how that skill had been adopted by the School as part of the curriculum to ensure the continuation of the craft.  For many children in the community, weaving was even a new art as commercial fabrics began to dominate wardrobes by the turn of the century.

Motter emphasized how the art stayed with a number of the graduates from Pine Mountain and in some homes in the Pine Mountain valley, families established their own looms and weaving as a cottage industry to provide additional income for the family. Pine Mountain’s efforts to encourage weaving were shared by the organized cottage industry known as the Fireside Industries which broadly supported craft in the Appalachian mountains.

When Margaret Motter addressed the Colonial Coverlet Guild* she wrote out her talk in her unique abbreviated form and years later left Pine Mountain a copy of this talk and others, as well. Her talk is transcribed below.  Many of the abbreviations have been expanded in this version and individuals are identified, where known.  The talk is a window into weaving activity at the School and the role Miss Motter and others had in encouraging the continuation of this mountain traditional craft by integrating the craft into the Pine Mountain educational programs and offering it as a part of their Industrial Training program.  Further, the focus on weaving was melded to the social outreach of the School and was used to engage the broader community and to stimulate the potential for economic independence for many women in the community. In many ways weaving and the values of the settlement movement were well paired.


TRANSCRIPTION OF MOTTER TALK

MESSAGE TO COLONIAL COVERLET GUILD
November 10th 1948
By Margaret Motter

Many of you are familiar I am sure with the institution and the dramatic beginnings of Pine Mountain Settlement School, but any sort of message about our school is incomplete without mentioning the name of William Creech, affectionately  known as “Uncle William.” Here was a man with a 3rd-grade education but with great vision who dreamed for 30 years of a school that would “holp” his people.

When he gave his land (all he had) [not quite!] he wrote some men in his un-lettered hand which we treasure. I want to give you the closing paragraph to remind you of the ever-recurring challenge from Uncle William to carry on —

“I don’t look for wealth for them ….

So through the years Pine Mountain has been serving an isolated rural community as an extension, housing a secondary and a vocational high school and as a center of culture, and social and economic welfare.

Uncle William believed it was “better for folkes children to learn how to work with their hands…”  In following this advice of Uncle William Pine Mountain has had from the beginning what we call a work program. Pupils pay $10.00 – $15.00 per month if they can afford it and work 2 1/2 hrs. per day and longer on Saturday.  This work program serves a dual purpose.  Children are made to feel the value of the education that they are earning thru work.  [It] keeps [their] self-respect, values and dignity of work itself and besides, through the work program the school is kept going. The children learn over a period of years and do all kinds of work connected with homemaking, farming, and some trades or vocations.  All work is done under supervision and changed every 9 weeks.  Children have on [the] whole a fine attitude ….

“One thing I don’t like is learnin’ but I like what hit makes you be…….”   [Comment by Brit Wilder one of the youngest students and the first to come to the school]

Now, a very popular part of our work program as well as an elective study during school hours is our weaving. I want to give you a few details about this department since you have been good enough to share in making this department function.

Our weaving room has recently been enlarged and we have space for more looms and better looms.  We have by no means enough to meet the demand.  We have 9 looms and one small one owned by the teacher.  6 of these were made at Berea, one at Pine Mountain after the Berea Style — 5 of the looms are 40″ and 4 are 22″-24″.  Since 6 of the looms were at Pine Mountain before 1924, I guess it is not an understatement [page 3] to say they have not the latest improvements!

Weaving Room: Bess Taylor, Reba Blevins nace_1_061a.jpg

Weaving Room: Bess Taylor, Reba Blevins c. late 1940s. nace_1_061a.jpg

Our teacher informed me that a Swedish weaver told her we are doing very well indeed with the equipment we have.  So you can see as time goes on we shall need to replace these older looms with better ones and to purchase a pair of badly-needed scales [?] for the weaving room.

I have brought you some samples of weaving done by our girls. We use rags from feed-sacks which are dyed at the school and woven into rugs.  Old rayon stock and any kind of woven underwear can be transformed in the weaving room into lovely bags.  We have a neighbor who does some spinning for us and [the] other yarns we buy.

I mentioned that our weaving is very popular.  Some girls who learned to weave have been able to get a loom at home and have continued in their work.  Two of the senior girls have been especially interested “in weaving and confided in the teacher that they hope they’ll get a loom as a graduation gift from their home folks.  The girls love to weave a skirt to wear on May Day and have a chance to participate in the colorful “Weaver’s Dance”.

Weaving class in hand-woven skirts. Pearl Taylor, Ernestine Vitatoe, Bess Taylor, Jolene Lucas, Gladys Carroll, Reba Blevins, Margaret Slusher, Betty Huff -- 1946. nace_1_022b.jpg

Weaving class in hand-woven skirts. Pearl Taylor, Ernestine Vitatoe, Bess Taylor, Jolene Lucas, Gladys Carroll, Reba Blevins, Margaret Slusher, Betty Huff — 1946. nace_1_022b.jpg

"Glorishears" Morris Dance -- 1946. Shirley Holbrook and Delores Scott in lead. nace_1_021a.jpg

“Glorishears” Morris Dance — 1946. Shirley Holbrook and Delores Scott in lead.  nace_1_021a.jpg

Weaving does go on in some of the homes (as I mentioned), i.e., sample curtain [cur. ?] material [mat.?] woven by one of our neighbors. [The] Swedish pattern sells for $1.95 a yard.  I am reminded at this point of the way I happened to get one of my coverlets when I was at Pine Mountain in the fall of 1928.  In the office welcoming children as they arrived — In came last years student with a younger sister by hand and [a] coverlet over [the] other arm.  “I brung —–[?] “

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Della Hayes weaving at Pine Mountain. Probably in Old Log, c. 1940s.

That coverlet was definitely a home product, brown from walnut hulls and dusty rose from madder.  Just as lovely today as when I bought it and I love to think that little Della [Hayes] — now a successful nurse — had her start at Pine Mountain because her sister had learned to weave at our school and had a loom at home.

P1050096Walnut and madder dye weaving

[page 5] I am sure you are familiar with Dr. Allen Eaton’s book, Handmade in the Southern Mountains. [this should read, Allen H. Eaton. Handicrafts of the Southern Highlands], One of the colored illustrations shows a striped blanket that we call Pine Mountain Blanket #16. I have one of these made by a mountain woman who was taught to weave by our teacher — wool from her own sheep and vegetable dye used. This is the type of blanket we always use for our prophets in the Nativity Play.  You can see that the weaving even goes into something special like that.  *[Note: This same Pine Mountain Blanket #16 was used as a cover for the plaque which was un-veiled at the Pine Mountain Settlement School Centennial celebration in August 2013.]

P1050415

I say something special, Christmas at Pine Mountain is an occasion that one never forgets.  With our sacrificial meals for our Charity Fund now we’ll have something to share with others; with our appealing drama of lovely carols in [Laurel House] dining room while decorated with garlands, wreaths, and tree; with our gay Mummer’s Play ; with our charming Nativity Play in the Chapel, it is an occasion for happy activity — [a] genuine pleasure.  It has its effect upon children “Love and joy …” —“Hit’s peacefulest –” [Motter probably describes the change from the earlier celebrations of Christmas that were known for their liquor and guns.]

Boy's House Wassailers and Lords and Ladies -- 1946. [Good King Wenselaus ?] [In Laurel House] nace_1_025b.jpg

Boy’s House Wassailers and Lords and Ladies — 1946. [Good King Wenselaus ?] [In Laurel House] nace_1_025b.jpg

Your share in our work is indeed heartwarming to the staff and the trustees.  May we ask for your continued interest so that we may not fail to make Uncle William’s dream come true  — I don’t want hit to be for this local. only —-”  ——

*Swygert, Mrs. Luther M.  Heirlooms from Old Looms A Catalogue of Coverlets Owned By the Colonial Coverlet Guild of America and Its Members – R.R. Donnelley and Sons : 1940 (1955).


FIRESIDE INDUSTRIES

Through Pine Mountain’s efforts and the support of the broad-ranging Fireside Industries, a strong program of support for the Appalachian craft of weaving was developed and the practice was strongly revitalized in the 1930s and 40s. In many environments, during the 1930s and 1940s the idea of a “cottage industry” which is characterized by contracted work completed at home and then marketed through a central agency, was a developed and viable economic venture.  In the case of Pine Mountain, the idea was not new and was not exploited by the school so much for commercial reasons, but was incorporated into the educational program and into their primary goal of building “community.”

The idea of weaving at home was not unique to families in the Pine Mountain community but with Pine Mountain’s encouragement, it began to follow the model put forward by the Fireside Industries which flourished at centers such as Berea College, long a source of inspiration and support for the School’s weaving enterprises.

Pine Mountain’s interest was also shared by many other rural settlement schools in the region, particularly in the early settlements institutions in Western North Carolina.  What was unique at Pine Mountain was the early adoption of weaving and the measure of enthusiasm in the community for such work and the persistence of weaving as part of the educational program at the school.

Weaving has been an activity that has found a place at the School for over 100 years and more of its history. Through the enthusiasm of Katherine Pettit and her “kivers” and those like Margaret Motter, who followed her,  Pine Mountain has maintained it’s interest this this unique craft and in the long family traditions attached to weaving in the Central and Southern Appalachians. This long mountain family history led to the introduction of weaving and dying in the first decade of the school and maintained it through the years.

Katherine Pettit’s Dye Book written by Helen Wilmer Stone, a staff member at Pine Mountain, is a classic in the genre of vegetable dying of fiber. Under Katherine Pettit, Helen Wilmer Stone, Margaret Motter, Florence Daniels, Abbie Winch Christensen, Becky May Huff, and others, weaving and spinning, and the use of native plants for dyes later found a place in the curriculum of the Pine Mountain and other schools as a vocational tract.  When a more normalized curriculum was mandated by public instructions guidelines, weaving still remained as an elective at many of these schools, and often as an after-school program. Yet, in most schools and homes, weaving had gone away by the late 1940s.  Few instructors could be found to maintain the craft in schools other than arts and crafts schools and the maintenance f the equipment was high.

Unlike many regions of the Central and Southern Appalachians in the 1940s,  the Pine Mountain Valley had not fully abandoned weaving in some households.  In many homes in the mountains, and in the Pine Mountain region particularly, many families still maintained their old looms and many of the unique patterns continued their persistence through many generations of family weavers.  Some of the old patterns can still be found in mountain homes scratched out on rolled strips of cloth or on long scrolls of paper.  Like some ancient runes, these patterns are family treasures.

https://pinemountainsettlement.net/wp-content/uploads/2014/08/fireside_indust_pg_002a_mod.jpg

https://pinemountainsettlement.net/wp-content/uploads/2014/08/fireside_indust_pg_002a_mod.jpg

What Pine Mountain brought to the Fireside Industries or the “cottage industry” model, was a renewal or revival of the long-standing culture of eager mountain weavers.  Margaret Motter moved this enthusiasm along by carrying examples of weaving with her on almost every talk she gave outside the School.  Through Katherine Pettit’s early enthusiasm for collecting mountain “kivers” the attention to the beauty and skill of mountain weaving moved among the staff of the School like an aesthetic mantra.  Workers discovered in weaving sophisticated and beautiful local craftsmanship that utilized skill, intelligence, and tenacity — qualities that the community weavers had in abundance.  The education that occurred between the workers and the community was mutual — and it continues to be mutual today, even as the “community” of Pine Mountain has continued to expand outward to meet the demands of the industrial world and a more diverse public.


WEAVING IN 1949

A short piece written by Freshman student Mattie Mae Adams in the February 1949 PINE CONE, the student newsletter, describes a weaving experience at the School.  1949 was the last year the boarding school was in operation.

WEAVING

On my entrance to Pine Mountain I had a choice between science and weaving. I took weaving.  At first I was afraid to weave. I was afraid I would make a mistake. It seemed hard for me to remember all of the names of the parts of the loom, and it was still harder to wind a bobbin. But it didn’t take me long as I have Miss Christensen for a teacher.

She started me off on a rug that she had already started herself. Afterward, I thought I wanted to make one for myself. Now we have started on our May Day skirts, which are very difficult, because I get my threads crossed and have to take them out. Then I have to re-wind a bobbin. The next thing I know I’m using the wrong treadles or mending a broken heddle.  Broken threads are another difficulty.  I have just mended a broken thread when I discover a mistake which has to be taken out. Then I usually take out two to that four.

Now all of these things don’t happen every day; but when one happens it seems as if they all happen at once. Even in spite of these hard tasks, I am glad I made the choice of weaving. 

Mattie Mae Adams, Freshman


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Ccropped image of weaving held in the Katherine Pettit Collection in the Bodley-Bullock House, Bodley-Bullock House. Sorority House for Transylvania College. 200 Market St, Lexington, KY 40507.

SEE ALSO:

KATHERINE PETTIT – WEAVING

BECKY MAY HUFF

FLORENCE DANIELS

ABBIE WINCH CHRSTENSEN

HELEN WILMER STONE

KATHERINE PETTIT DYE BOOK

WEAVING at PMSS BEGINNINGS

WEAVING DRAPER LOOM STUDIO

WEAVING AT PMSS SAMPLES I

WEAVING AT PMSS SAMPLES II